Ebook Download , by Michael Sokolove

Saturday, November 30, 2013

Ebook Download , by Michael Sokolove

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, by Michael Sokolove

Product details

File Size: 13826 KB

Print Length: 269 pages

Page Numbers Source ISBN: 039956327X

Publisher: Penguin Press (September 25, 2018)

Publication Date: September 25, 2018

Sold by: Penguin Group (USA) LLC

Language: English

ASIN: B07BD1N3VJ

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#92,439 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

The title is misleading, as the author tells two stories and tries to converge them with the latest Louisville scandal and capitalize on the lightning rod that is Pitino's name. The most enjoyable aspects of the book recount the rise of Jurich and the University of Louisville's athletic program from a laughingstock to a multi-million dollar enterprise, where Pitino is a character in the success. The other portion of the book provides solid research into the latest NCAA scandal and dirty games of college basketball recruiting, where Christian Dawkins takes on a persona of a self-important wannabe insider/agent.Overall, the book is a quick and enjoyable read, but the story is shallow for a topic of this magnitude and felt rushed to the printers, as there could have been several additional chapters on the corruption within the recruiting cycle.

Whoever decided to title this book should have realized that Pitino and Christ have little in common after reading the salacious testimony given during his first trial. Nevertheless, Sokolove is pretty evenhanded in his treatment of Pitino who evidently adopted the "I want to know nothing" attitude regarding the money funneled to elite recruits' families from shoe companies through middle men. This has been an open secret to anyone who follows college sports for years. Thanks to the author for helping us understand the present confusing trial. And never fear, fans, we will still be able to wager our 10 billion on the NCAA tourney this year. Neither the NCAA, the universities, the coaches, agents or shoe companies want to break their golden eggs.

As a former professional in a D1 school and parent of a current D1 hoops assistant, I have read this book 3 times as the federal case has progressed. And, I have 'assigned' it to my son and his young cohort of colleagues - in the hopes they remain committed to the STUDENT-athlete but with eyes wide open.

Bought this book for my husband who is from Louisville and used to follow U of L basketball before all the scandals became public knowledge. It arrived at a time when he was swamped with work, but he couldn't resist reading a little of it whenever he had time. He enjoyed it and said he would read it again.

Well written. Good information. Worth the purchase...

Husband loved it

Well researched and detailed. As a college basketball fan, I found the subject matter hard to fathom but necessary to understand about the game I love.

Very good read. Learned a lot of details I didn’t know and great behind the scenes information. This book definitely kept my interest.

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Free Download Lonely Planet Japanese Phrasebook & Dictionary

Thursday, November 28, 2013

Free Download Lonely Planet Japanese Phrasebook & Dictionary

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Lonely Planet Japanese Phrasebook & Dictionary

Lonely Planet Japanese Phrasebook & Dictionary


Lonely Planet Japanese Phrasebook & Dictionary


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Lonely Planet Japanese Phrasebook & Dictionary

Product details

Series: Phrasebook

Paperback: 272 pages

Publisher: Lonely Planet; 9 edition (September 18, 2018)

Language: English

ISBN-10: 9781787014664

ISBN-13: 978-1787014664

ASIN: 1787014665

Product Dimensions:

3.7 x 0.5 x 5.5 inches

Shipping Weight: 4.8 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#12,235 in Books (See Top 100 in Books)

Don't buy this book if you only planning a short trip to Japan. The layout is too complicated. What you want is a simple phrase book and dictionary. With this book you must first guess which section (food, travel, lodging, etc.) that you think the word may appear. Then hunt for the word in a subsection. Good luck! You won't find words like please, or thank you in the dictionary. Buy this if you plan to move to Japan and want to impress people with phrase construction.

Useful phrases, wish there were aceess online audio or somthing to help us pronoun abit better. The bookself is small, size of a cassette tape.

Excellent phrasebook! My absolute favorite Japanese phrasebook! Extremely useful phrases to get you by in Japan!

friend loved it

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Ebook Download John Ruskin: Artist and Observer

Wednesday, November 27, 2013

Ebook Download John Ruskin: Artist and Observer

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John Ruskin: Artist and Observer

John Ruskin: Artist and Observer


John Ruskin: Artist and Observer


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John Ruskin: Artist and Observer

Product details

Paperback: 376 pages

Publisher: Paul Holberton Publishing (February 19, 2014)

Language: English

ISBN-10: 1907372571

ISBN-13: 978-1907372575

Product Dimensions:

8.5 x 1.1 x 10.2 inches

Shipping Weight: 2.9 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#330,292 in Books (See Top 100 in Books)

This is an excellent book of an excellent recent Canadian (and shortly Scottish) exhibition. The closest to it is the older "Ruskin and the Victorian Eye" volume. The initial introductory essays are well researched and thoughtful; the catalogue and images of the drawings/paintings are crisp and fine. The exhibition (which I attended) was tightly focussed on the specific drawing and painting aspects of Ruskin's life, so it didn't really deal with the social and political life in any extensive way: nor here (except in the introductory essays) are there any other artists represented (e.g. Turner, the Pre-Raphaelites, or any of the paintings that influenced his life). It is just Ruskin drawing and painting. Happily, this exhibition proves what many of us have known for a long time: Ruskin was a brilliant draftsman, and a pleasure to watch at work (there are also one or two daguerreotypes as well).

This exhibit, "John Ruskin: Artist and Observer" explores in depth the famous and controversial Victorian writer's, theorist's, and social critic's attachment to painting, drawing, and the early use of daguerreotype photography as a means to personal enlightenment and freedom of expression. His vital and continuous quest for observation, artistic practice and exploration remained "at the center of Ruskin's existence."Curators Christopher Newall and Conal Shields along with contributors Christopher Baker and Ian Jeffrey have added tremendous substance, meaning, and insight to this "most ambitious exhibit". It showcases 140 of the most significant and known works by the prolific Ruskin (1819-1900). Perhaps for the first time, visitors to the National Gallery of Canada, Ottowa (Feb.11-May 14, 2014) and those attending the exhibit at the National Gallery of Scotland until Sept. 28, 2014, will obtain the most complete and accurate overview of Ruskin's highly unique and diversified career. Ruskin's reputation and personal involvement was enhanced by his dedication to art production and his lifelong appreciation for subject matter which intrigued him. Ruskin's art became his vivid pictorial commentary on landscape, architecture, the preservation of monuments, and inspirations to be gained from previous teachers and artists in the history of art and culture.In analyzing Ruskin's drawings, the curators define Ruskin's unique output and agendas as that of lyricism and fluidity, meticulous detail, jewel-like colors, the result of an "intense and passionate artistic impulse" and his "prime medium of expression and intellectual development".Throughout his life, John Ruskin saw art as an escape from the confines of his Victorian existence. At the same time, he viewed art making as a "note of fact" concerning thinking, understanding, and educating others about "natural philosophy, the earth sciences and geology."Ruskin's highly skilled draftsmanship and his love of sketching provided him with the greatest source of familiarity and fascination in recording his own experiences, visions and thoughts in highly expressible form. The cultivation of "a constant awareness of all that lay before him" made no subject and no landscape exempt from his reverential and carefully kept journals and travel logs. He equated meticulous detail in the swift gathering and recording of data with the preservation and conservation of the subject under his study. He created an art with a varied purpose for discovery, interpretation, enjoyment, teaching tool, and "poetic commentary." At the same time, Ruskin never intended to be a "professional artist." Rather, "private sensibilities" translated into an enthusiasm for what he personally believed to be beautiful and noteworthy of analysis. For example, he was most passionate about the historic and crumbling monuments of Venice, the majestic Alps, and the quaintness of French cities. A significant portion of this exhibit also examines Ruskin's close communion with his Scottish heritage. He viewed Scotland as a land of infinite "variety and wonder" with "sublime mountainous landscape".An important theme of this exhibit emphasizes that John Ruskin's love of observing and recording nature were directly inspired by his emotional responses to the process of art production. His "highly emotive" personality produced personalized and unique perspectives. Ruskin's art continuously granted highest importance to "seeing and feeling as an artist". Each of his scientific inquires completed in the form of a drawing, a painting, a watercolor or an etching was done with "great exactness and concentration". At the same time, his art was an "emotive view of land, history and culture." He chose to equate, define, and celebrate both the personal view of nature and the objective view of nature without "boundaries." He rejected nothing from it. This all-encompassing view and freedom to explore the natural environment remained Ruskin's significant means for achieving a necessary and "intense scrutiny of the mysteries of nature."The exhibit also emphasizes that Ruskin's "sensitivity" as an artist made him appreciate the power and influence of other artists as teachers. He greatly admired the work of J.M.W. Turner , the "affective power of color" in Titian and Tintoretto, and the work of the Northern Renaissance artist known for his distinctive art and precise nature studies, Albrecht Dürer.Additionally, the exhibit points out that Ruskin approached the new medium of photography with considerable enthusiasm when recognizing its utility and ability to "mirror or capture nature" in all of its details and subtleties. In his quest for truth, Ruskin used photography as a means of enhancing the reality which he wished to convey and record. Between 1845 and 1858, Ruskin had amassed a collection of more than 320 daguerreotypes.He claimed that the daguerreotype possessed an unexpected disclosure for fixing and focusing on the minute aspects of an image that could not be achieved by an ordinary and shorthand sketch. For him, it was ideally suited to static and detailed subject matter under his careful observation. Examples of such subjects presented in this exhibit include daguerreotypes of architectural details, monuments, and landscapes made throughout his frequent and consistent travels to Italy, Switzerland, and France.Ultimately, an important aspect of this exhibit substantiates Ruskin's creativity and facility with a variety of media.The exhibit highlights his courage to embrace a modern method and distinctive style of working despite the skepticism and criticism of his age. In so doing, John Ruskin engaged in practical and accurate methods for understanding the world as a way to conserve it nostalgically for future generations.

This is a superb exhibition catalogue of Ruskin's drawings and watercolours.I grew up with a bit of a dislike of various Victorian Artists ( some but not all )I bought a number of art books and the booksellers I frequented would have a copy of Ruskin's complete works in 30 volumes or so. I was never temperedMy interest is in Master Drawings.Some who were around before Ruskin where are, Rossetti and the Pre - Raphaelite movement influenced him.Ruskin 1819-1900William Blake. 1757- 1829John Constable 1776-1827JMWTurner 1775-1851Dante Gabriel Rossetti 1828-1882.One reviewer said Ruskin couldn't draw.That is his opinion.However to understand an artist you must set the artist in the context of their times.The age of Blake, Constable and Turner was in the past.Ruskin had a deep love for Turner. At various stages of his life he owned some 300 works by Turner ( mainly watercolours ). Oxford Companion Turner page 275 second column at bottom of pageHe bequested some 100 drawings and watercolours to the Ashmolean Oxford- see details on major collections of Turner at the back of this book.After Turner's death he offered and was accepted by the National Gallery London to sort through and classify some 10,000 Turner drawings and Watercolours ( see the Ruskin article mentioned above)So Ruskin was deeply influenced by Turner.You see it is some of the works but not in others. Remember he was reproding to Pre- Raphaelitism and had a Pre Gothic vision.What he really loved were early churches or Gothic Ruins, or elements of Gothic Architecture.Some of the drawings show his mastery of third demensional space-see especially :No 18. The Piazzetta and St Mark's Venice, 1835A number of drawings are of architecture - mainly Gothic.Venice and it's architecture features including Byzantine elements.Then there are a moderate number of watercolours that remind me of Turner, they aren't Turner's but Ruskin has refracted all he has seen in Turner and given his very personal take on the scenes.Look at the ratings, remember Ruskin was sorting through some 10,000 Turner Drawings and Watercolours. Turner's work is both vast, and very variable. That is not a judgement on quality. Like Rembrandt Turner could bring the profoundest judgement to bear in a composition.Style was in the service of profound composition.Also like Rembrandt Turner was always experimenting.Ruskin very hit those dizzying heights, but off hand I cannot think of an English artist of his time that did.This book is a visual feast of excellent drawings and watercolours.I warmly commend it.Note.It is hard when you are starting out to get a feel for drawings and watercolours.They are frail and light sensitive.If there is an exhibition in your area, go to it if you can. There is nothing like seeing the drawings and watercolours face to face.As they are frail and light sensitive they usually are stored away for 10-30 years before the next show. Yes some are lent to this exhibition and that but you would see this exhibition or any of it's mates in a hurry. To preserve the drawings and watercolours they are nurtured with care.so number one, try to see some drawings in the freshYou may wait for an exhibition of an artist you like,You may be lucky, but to be honest you are likely to wait a long time.Yes the big names come around frequently. In part that is due to The great generosity of the World's great print rooms. They have to very carefully manage there loans, because there are both many requests and their is the issue of the fragility of paper and it's light sensitivity.So, personally ( for what it is worth ) I would strongly suggest if you have an interest in drawings go to those that are near by and that you can afford to get to.Use every exhibition as to learn to train your eye.( yes background knowledge helps, but learning to slow down and just look, draw in the details, see how they relate or don't relate to each other.)The same points go for reading catalogues.Final point.I have spent 20-25 years looking at thousands of master drawings in booksMy loves are Rembrandt, Leonardo, Durer, Raphael.The names don't really matter.If all drawings looked like Rembrandt's or Leonardo's I would be deeply visually bored.I sort to see every drawing I could face to face will working in the UK. It was a sizeable number.For those who got the wrong book.john RuskinThe Elements of DrawingIllustrated edition with notes by Bernard DunstanThe Herbert Press London 159 pp

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Ebook Free El Perro con Sombrero meets Los Gatos con Gelatos (English and Spanish Edition)

Friday, November 15, 2013

Ebook Free El Perro con Sombrero meets Los Gatos con Gelatos (English and Spanish Edition)

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El Perro con Sombrero meets Los Gatos con Gelatos (English and Spanish Edition)


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El Perro con Sombrero meets Los Gatos con Gelatos (English and Spanish Edition)

Review

Review for El Perro con Sombrero: Kent s snappy story moves right along in alternating passages of English and Spanish translation, making its easy multiculturalism seem all the more natural... it s a rollicking demonstration of how the two languages can live side by side as comfortably as many a family s pet dog and cat. --New York TimesReview for El Perro con Sombrero: Bright illustrations, quick action scenes, and warm humor are sure to draw the attention of young readers....its positive message about what is important in life will resonate with the picture book crowd. --School Library JournalReview for El Perro con Sombrero: Move over, Puss in Boots and Cat in the Hat; now there's el Perro con Sombrero and el Gato con Zapatos....A nifty bilingual treat. --Kirkus Reviews

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About the Author

Derek Taylor Kent is an #1 best-selling, award-winning author and screenwriter based out Los Angeles, CA. Together with his wife, beloved children's author Sheri Fink, he created the brand Whimsical World that publishes books, creates whimsical experiences, and magical merchandise. His popular book series, SCARY SCHOOL (written under pen name Derek the Ghost), won an award for Funniest Chapter Book of 2011 by Children s Literature Network and has become a favorite for middle-readers. Derek's bilingual picture book EL PERRO CON SOMBRERO was released August 2015 through Holt/Macmillan and was a #1 best-selling new picture book and continues to be a top-selling bilingual book. His new bilingual picture book, DOGGY CLAUS/PERRO NOEL was released November 2018.

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Product details

Hardcover: 36 pages

Publisher: Whimsical World (April 16, 2019)

Language: English, Spanish

ISBN-10: 0999555456

ISBN-13: 978-0999555453

Package Dimensions:

11.2 x 8.8 x 0.4 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#1,695,394 in Books (See Top 100 in Books)

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El Perro con Sombrero meets Los Gatos con Gelatos (English and Spanish Edition) PDF

El Perro con Sombrero meets Los Gatos con Gelatos (English and Spanish Edition) PDF
El Perro con Sombrero meets Los Gatos con Gelatos (English and Spanish Edition) PDF

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